Lyfe Jennings Biography

Lyfe Jennings
- Real name: Chester Jennings
- Artist name(s): C. Jennings, Lyfe
Lyfe Jennings Biography
Not that he'd wish it on anyone, but it was during his ten-year sentence in prison that Lyfe Jennings developed his honest sound, thanks to isolation and Erykah Badu. It was an arson charge that put the Toledo, OH, native in prison. His musical aspirations started in the church choir and grew in the Dotsons, a teenaged group that Lyfe formed with his brother and a couple cousins. Prison made his music deeper, according to Lyfe, and when a copy of Erykah Badu's Baduizm ended up in his cell in 1997, he was inspired and had the feeling that this introspective edge to his music was worth developing. Two days after his December 2002 release from prison, he was recording a four-song demo CD. The day after that, he was performing live in a club. He only had a month of freedom before he was on-stage at the famous Apollo. He was booed when he walked on-stage with an acoustic guitar, but when the Apollo audience heard his gritty falsetto and lyrical songwriting, they were swayed -- swayed to the tune of five amateur-night victories in a row. Lyfe figures he sold a thousand copies of his four-song demo CD during his Apollo "residency." That, along with a ton of calls from promoters and record label execs on his answering machine back in Ohio, influenced Lyfe to move to New York City and pursue a major-label deal. Columbia had the right offer and released his debut, Lyfe 268-192 (his inmate number), in August of 2004. A year after its original release, the album was reissued with a new version of "Hypothetically" featuring American Idol winner Fantasia added as a bonus track. The more hip-hop-oriented follow-up, The Phoenix, arrived in 2006 with Three 6 Mafia and Young Buck making guest appearances.
Not that he'd wish it on anyone, but it was during his ten-year sentence in prison that Lyfe Jennings developed his honest sound, thanks to isolation and Erykah Badu. It was an arson charge that put the Toledo, OH, native in prison. His musical aspirations started in the church choir and grew in the Dotsons, a teenaged group that Lyfe formed with his brother and a couple cousins. Prison made his music deeper, according to Lyfe, and when a copy of Erykah Badu's Baduizm ended up in his cell in 1997, he was inspired and had the feeling that this introspective edge to his music was worth developing. Two days after his December 2002 release from prison, he was recording a four-song demo CD. The day after that, he was performing live in a club. He only had a month of freedom before he was on-stage at the famous Apollo. He was booed when he walked on-stage with an acoustic guitar, but when the Apollo audience heard his gritty falsetto and lyrical songwriting, they were swayed -- swayed to the tune of five amateur-night victories in a row. Lyfe figures he sold a thousand copies of his four-song demo CD during his Apollo "residency." That, along with a ton of calls from promoters and record label execs on his answering machine back in Ohio, influenced Lyfe to move to New York City and pursue a major-label deal. Columbia had the right offer and released his debut, Lyfe 268-192 (his inmate number), in August of 2004. A year after its original release, the album was reissued with a new version of "Hypothetically" featuring American Idol winner Fantasia added as a bonus track. The more hip-hop-oriented follow-up, The Phoenix, arrived in 2006 with Three 6 Mafia and Young Buck making guest appearances.
Lyfe found his true love for music again while serving time in prison. "Deeper situations tend to lead to deeper music and prison was one of those deeper situations. (Music) gave me an opportunity to express emotions in an unemotional environment." He began to play the guitar, sing, write and even started a music program in the Ohio institution. Upon his December 2002 release he began seriously pursuing his solo career. He spent his 2nd day of freedom recording a 4 song CD and the 3rd day performing at a club. By January 2003, Lyfe had showcased his talent to a nation-wide audience on "Showtime In Harlem" (The Apollo). He received a standing ovation for his acoustic performance of original material, and made his mark by winning the amateur competition five times. "I felt blessed just knowing that at least somebody appreciated my struggle, my experience and my life." During his success at the Apollo, Lyfe began to independently sell his EP "What Is Love". Two songs from the EP, "What Is Love" & "She Got Kids" , garnered regular spins at local radio, which aided in the sale of thousands of EPs. To add to Lyfe's success, calls began to pour in from countless agents, promoters and record labels, which prompted the Ohio native to move to NYC to make his dream come true. Soon after Lyfe arrived in New York, he wrote and co-produced a song for a major label, made a cameo in a music video, appeared in publications and performed many solo shows and opening acts for major recording artists, including the most memorable opener in front of a sold out crowd @ Radio City Music Hall for Hip-Hop star Nelly, and his spontaneous serenade to New Yorkers during the October 14th blackout @ The Cafeteria in Chelsea. Other noteworthy venues and events include 2003 NBA All-Star events, NAACP Convention where he performed "Thank God for the NAACP" (an anthem he wrote for the organization), world famous B.B. King's Lounge & Grill, Rock and Roll Hall of Fame, Tennessee State University and a host of clubs and schools. After much success with his debut, Lyfe begin to work on his second album. Lyfe became a mainstream artist and it showed with the well known producers and features that he had on his album. The name The Phoenix, refers to the Greek mythology Phoenix, symbolizing a rebirth, resurrection, or renewal. The anticipation of his new album led to many TV appearances, including Good Morning America. He is a good friend of Young Buck. Buck appeared on Lyfe's album on a song called "Slow Down" and in return, he appeared on Young Buck's album "Buck the World" on self-titled song.






